Our last movie of the night departs from the American Indie scene and moves into the British Indie scene with the movie Toast. With a delightful cast and a moving memoir to base the script off of, it’s hard to go wrong with this piece. Unless, of course, you hate food… and despise a lot of crying.
Unlike the previous films today (Jeff, Who Lives at Home and Armless), this one is based off of Nigel Slater’s autobiography. For any one who wonders who that is (as I did), you can see his webpage which tells about career as a chef, food writer, and television cooking show host. However, you don’t need to know any of this (or care even), to watch this film. It only has a short blurb at the end about his adult life and really focuses on his childhood and his inspiration to become a chef.
Don't worry, it's more than just watching this foodie come into his own: you also get to see him dealing with social protocol, sexual situations, and challenging family situations. Besides that there is also the fact that this is 1960s Britain and the nuances of the world are much different from the current times. Despite being in what seems a racially small world (which is how it undoubtly felt for him at the time), one can see a wide range of complex situations arise in a tiny bubble which helps contain the story line, but also makes it more moving since we can all understand that life is nothing if not one issue on top of another.
I wish I could say more, but really I don’t want to spoil this piece for you. It’s all about the subtle way the ingredients work together to make a whole, just like any good recipe. You’ll want to give Toast a try, but like any Indie movie, with the laughter will come the tears, so bring a box of tissues for company. And maybe something to nosh on, since every other shot seems to have some thing delicious looking enough to make your tummy rumble.
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Thanks for joining me today on movie day! If people like this enjoy, I might do it again. Heck, I'll do it again just because it helped get a lot of knitting done and good writing practice. We'll do this again soon!
Showing posts with label Indie Comedy Day. Show all posts
Showing posts with label Indie Comedy Day. Show all posts
Tuesday, January 8, 2013
"Armless" (Indie Comedy Day: Review Two)
Next on my playlist during this miserable Indie Comedy Day (because what else are you going to do with a migraine and construction right outside besides watch people more miserable than you get a weird/happy ending? ) was Armless. It’s pretty easy to guess what the movie is about based of the title: having no arms, but pretty quickly we find out that it’s not that no one in the movie has arms. Rather it’s that the main character, John Willard, wants to cut his arms off and have “nubbins.”
Now reading reviews on Netflix and IMBD are pretty, well, harsh. Comments about the bad directions, the no flow script, and just the horrible writing is most of what you’ll find there. Here, however, I’m asking you take a step back and think about life: life is awkwardly situated with boring characters and crazy characters that all tend to be self-centered and distant, especially when harboring a secret or when scared. This movie gives you the real life of it. The mom who’s too open and constantly lying, the wife who’s so wrapped up in her own anxieties she has trouble just being there for her husband, the husband who just wants to suffer because he believes that with all his good life must come something bad as well, and the doctor who’s spent so much time on appearances and money that he just wants to be something he’s not: exciting. So when I see people saying that this movie is bad, I wonder if they expected something more mainstream like Lars and The Real Girl which seems to be written for a more general audience. You know, the people who want a feel good comedy. Armless is not a feel good comedy.
In fact, it’s barely a comedy. People even complain in the reviews when it starts to show comedy, saying messes with the tone of the movie or something like that, but Armless is seemingly more about showing the reality. In reality the jokes we make are not necessarily appropriately timed and this movie reflects that. Which is one of the reasons I give it props: we’ve all had doctors try to joke to connect with us and we’ve all just stared at them blankly as if to say, “You’re a doctor. Not Bozo the Clown, get on with it already” or family member/friend tell us inappropriate things about their sex life thinking that it would be helpful when really it just makes us cringe and shudder every time we see that waffle maker (Don’t ask, don’t tell: really it should be every one’s motto about sex). The fact is the reason it’s funny is because we understand the uncomfortableness of the situations.
So, Armless may not be every one’s cup of tea. Most of us don’t like watching painfully awkward moments that close to real life, but I enjoyed the depth of the characters and the real feeling of the disconnect between the main character and those he loves. Besides, who can’t relate to A) feeling like something horrible is going to happen to balance out a wonderful life and just wanting it to happen now instead of later, B) that we aren’t normal and should have a way to show it, and C) that we need some type of painful weight lifted off of us. I can’t say you’ll like this movie, but sometimes it’s not about liking a movie. It’s about connecting with another part of ourselves.
Now reading reviews on Netflix and IMBD are pretty, well, harsh. Comments about the bad directions, the no flow script, and just the horrible writing is most of what you’ll find there. Here, however, I’m asking you take a step back and think about life: life is awkwardly situated with boring characters and crazy characters that all tend to be self-centered and distant, especially when harboring a secret or when scared. This movie gives you the real life of it. The mom who’s too open and constantly lying, the wife who’s so wrapped up in her own anxieties she has trouble just being there for her husband, the husband who just wants to suffer because he believes that with all his good life must come something bad as well, and the doctor who’s spent so much time on appearances and money that he just wants to be something he’s not: exciting. So when I see people saying that this movie is bad, I wonder if they expected something more mainstream like Lars and The Real Girl which seems to be written for a more general audience. You know, the people who want a feel good comedy. Armless is not a feel good comedy.
In fact, it’s barely a comedy. People even complain in the reviews when it starts to show comedy, saying messes with the tone of the movie or something like that, but Armless is seemingly more about showing the reality. In reality the jokes we make are not necessarily appropriately timed and this movie reflects that. Which is one of the reasons I give it props: we’ve all had doctors try to joke to connect with us and we’ve all just stared at them blankly as if to say, “You’re a doctor. Not Bozo the Clown, get on with it already” or family member/friend tell us inappropriate things about their sex life thinking that it would be helpful when really it just makes us cringe and shudder every time we see that waffle maker (Don’t ask, don’t tell: really it should be every one’s motto about sex). The fact is the reason it’s funny is because we understand the uncomfortableness of the situations.
So, Armless may not be every one’s cup of tea. Most of us don’t like watching painfully awkward moments that close to real life, but I enjoyed the depth of the characters and the real feeling of the disconnect between the main character and those he loves. Besides, who can’t relate to A) feeling like something horrible is going to happen to balance out a wonderful life and just wanting it to happen now instead of later, B) that we aren’t normal and should have a way to show it, and C) that we need some type of painful weight lifted off of us. I can’t say you’ll like this movie, but sometimes it’s not about liking a movie. It’s about connecting with another part of ourselves.
"Jeff, Who Lives at Home" (Indie Comedy Day: Review One)
Today as my head throbbed with a migraine and Detroit decided for the first time in years to do construction on my street, I decided to put on a movie that I’ve been dying to watch. However, Jeff, Who Lives at Home is not the comedy one might think it would be from the DVD cover and the two lead actors: Jason Segel and Ed Helms.
With this film about two very different brothers, I was originally expecting a more comedic guilty pleasure movie much like Step Brothers. Much to my delight, it is not a comedic guilty pleasure, but rather a heartwarming comedy that really is barely a comedy at all. Think Garden State minus the heavy romance part: these two movies are considered comedies, but they both give us the warm fuzzies and this odd hope that even if we are lost and alone wandering about life zombie-like looking for meaning, that we still have some type of purpose. By the end of this film, every one has found their moment, their zen, even if we as the audience realize that it may not last them. What starts out with a simple trip to the hardware store for wood glues, turns into 83 minutes of following the signs so that Jeff, Pat, and their mother, Sharon, can all be in the right place at the right time.
Personally: I think this is the right time for you to watch this movie. If you need that extra “oomph” in your day or just that reminder that sometimes life can be a be weird or that despite how crazy things may (or may not be) we each have a purpose if we just follow the signs. Very rarely do we come across a film that has a little meaning for every one who might stumble across it.
I highly recommend Jeff, Who Lives at Home to any one who believes in fate, destiny, and being in the right place at the right time as well as any one who feels lost and wasted, needs a good cry, and who wants a reminder that they have a purpose. Basically, I think you all should watch it... With a box of tissues handy and some one you love close by to hug when it's done.
With this film about two very different brothers, I was originally expecting a more comedic guilty pleasure movie much like Step Brothers. Much to my delight, it is not a comedic guilty pleasure, but rather a heartwarming comedy that really is barely a comedy at all. Think Garden State minus the heavy romance part: these two movies are considered comedies, but they both give us the warm fuzzies and this odd hope that even if we are lost and alone wandering about life zombie-like looking for meaning, that we still have some type of purpose. By the end of this film, every one has found their moment, their zen, even if we as the audience realize that it may not last them. What starts out with a simple trip to the hardware store for wood glues, turns into 83 minutes of following the signs so that Jeff, Pat, and their mother, Sharon, can all be in the right place at the right time.
Personally: I think this is the right time for you to watch this movie. If you need that extra “oomph” in your day or just that reminder that sometimes life can be a be weird or that despite how crazy things may (or may not be) we each have a purpose if we just follow the signs. Very rarely do we come across a film that has a little meaning for every one who might stumble across it.
I highly recommend Jeff, Who Lives at Home to any one who believes in fate, destiny, and being in the right place at the right time as well as any one who feels lost and wasted, needs a good cry, and who wants a reminder that they have a purpose. Basically, I think you all should watch it... With a box of tissues handy and some one you love close by to hug when it's done.
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